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In Sumerian mythology, a ''me'' (Sumerian, conventionally pronounced ) or ''ñe'' or ''parşu'' (Akkadian, ) is one of the decrees of the gods foundational to those social institutions, religious practices, technologies, behaviors, mores, and human conditions that make civilization, as the Sumerians understood it, possible. They are fundamental to the Sumerian understanding of the relationship between humanity and the gods. ==Mythological origin and nature== The ''me''s were originally collected by Enlil and then handed over to the guardianship of Enki who was to broker them out to the various Sumerian centers beginning with his own city of Eridu and continuing with Ur, Meluhha, and Dilmun. This is described in the poem, "Enki and the World Order" which also details how he parcels out responsibility for various crafts and natural phenomena to the lesser gods. Here the ''me''s of various places are extolled but are not themselves clearly specified, and they seem to be distinct from the individual responsibilities of each divinity as they are mentioned in conjunction with specific places rather than gods.〔Kramer, p. 122〕 After a considerable amount of self-glorification on the part of Enki, his daughter Inanna comes before him with a complaint that she has been given short shrift on her divine spheres of influence. Enki does his best to placate her by pointing out those she does in fact possess.〔Kramer, pp. 171-173〕 There is no direct connection implied in the mythological cycle between this poem and that which is our main source of information on the ''me''s, "Inanna and Enki: The Transfer of the Arts of Civilization from Eridu to Uruk", but once again Inanna's discontent is a theme. She is the tutelary deity of Uruk and desires to increase its influence and glory by bringing the ''me''s to it from Eridu. She travels to Enki's Eridu shrine, the ''E-abzu'', in her "boat of heaven", and asks the ''me''s from him after he is drunk, whereupon he complies. After she departs with them, he comes to his senses and notices they are missing from their usual place, and on being informed what he did with them attempts to retrieve them. The attempt fails and Inanna triumphantly delivers them to Uruk.〔Kramer, pp. 160-162〕 We never learn what any of the ''me''s look like, yet they are represented as physical objects of some sort. Not only are they stored in a prominent location in the ''E-abzu'', but Inanna is able to display them to the people of Uruk after she arrives with them in her boat. Some of them are indeed physical objects such as musical instruments, but many are technologies like "basket weaving" or abstractions like "victory". It is not made clear in the poem how such things can be stored, handled, or displayed. Not all the ''me''s are admirable or desirable traits. Alongside functions like "heroship" and "victory" we also find "the destruction of cities", "falsehood", and "enmity". The Sumerians apparently considered such evils and sins an inevitable part of humanity's lot in life, divinely and inscrutably decreed, and not to be questioned.〔Kramer, pp. 125-126〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Me (mythology)」の詳細全文を読む スポンサード リンク
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